Written by: Benjamin K. Corum
Published by: Tate Publishing and Enterprises, LLC
Released: February 10, 2015
Thank you, Benjamin Corum, for sending us this book to review!
As an aspiring writer, I've spent quite a bit of time looking into the publishing industry and what it takes to get a novel published. One of the things I have learned from well-established authors is that publishers will pay you for your works. If you write it and write it well, then a publisher would publish it. Or it's possible that you can submit it to an agent, and they will find a publisher for you.
Although rewarding, this can be a difficult and challenging road to take. Publishers – especially those that take submissions from authors themselves, without an agent – receive thousands of submissions a year. Some submissions never even get read.
In these days of the Internet, though, it is possible to publish a novel without a publisher. Companies like Amazon's CreateSpace or Lulu give an author the power to present their books to the digital marketplace for anyone to purchase. However, not all of these books will be of quality. Without the filter of agents or publishers, anything could be listed, and if there's any truth to Sturgeon's Law, 90% of it will barely be worth your time.
But then there are some publishers that are a bit dodgy in their practices. They offer authors a chance to get their works edited, published and even advertised... for a price. Sometimes a very steep price. They aren't looking to actually sell books or help authors – merely trying to get as much as they can out of people desperate to have their names on a published book. These scammers provide about as much quality control as the self-publishing route, but unfortunately fleece the aspiring author in the process.
While I'm not saying Tate Publishing falls into the latter category, it's one of the few reasons I can find as to why an established publisher would release a book of such poor quality as “The Rogue Knight.”
The novel details the adventures of a young princess named Sara. Her abusive fiancee seems to be controlling her father, the king. With the help of a mysterious rogue assassin named Johnathan Black, she travels to several other kingdoms to try and build an army to battle her father's forces. She meets other allies and trainers, learns how to use her mysterious magical powers, and takes lots of baths. The overused plot of the guarded princess falling in love with her bodyguard is here as well. The only unpredictable aspect would be determining if they will live happily ever after, or if Johnathan will die at the end, trying feebly to make it a tragic romance. I'll leave the ending a surprise for anyone who wants to try to suffer through the novel.
The book is filled with grammatical errors, typos, plot holes and more tired cliches than you can shake a stick at. (Yes, that was intentional.) The writing style is amateurish at best. This feels more like a second or third draft of a novel, rather than a finished work. If the author or the publisher paid for an editor, they may want to get their money back. If it wasn't for my desire to make the review as comprehensive as possible, I would have stopped reading after the second or third chapter.
There is some merit to the novel, though. It's clear that the author loves the setting he created, and it is an imaginative approach combining ancient technological beings known as “synthetics” with a standard fantasy setting of forest-dwelling elves, underground-dwelling dwarves, and expansive humans. The theological system that Corum uses is a monotheistic one, with obvious influence from Christianity. Although some of it does feel shoehorned in – such as the communion-style opening to the elven feast – it's a nice attempt to create a fantasy setting that doesn't focus on polytheism. For the most part, the book is actually pretty good in terms of moral considerations. There is some graphic violence as many characters get killed in a variety of gruesome – but quick – ways. But there are no language issues, and no “adult situations.” This is a valiant attempt to make a “clean” fantasy novel that wouldn't meet very many objections in terms of amoral content.
Overall, though, the attempt fails due to the clumsy writing style. While some of the errors in the book do make the novel humorous (for example, when two of the characters battle at the end of the book, one decides to time his strike during his opponent's “most venerable time” (p. 286)), the humor is clearly unintentional, and doesn't make up for the sheer amount of other flaws.
Many outside the Christian faith tend to look down on Christian media, viewing it as subpar with secular works. “Alvirithian Archives: The Rogue Knight” actually helps to reinforce this sentiment, because this work definitely qualifies as “shoddy.” It's a valiant attempt on the author's part, but the book is in serious need of an editor, and never should have gotten to the point where it was published. In short, if you're looking for an entertaining fantasy novel to read, your time would be better spent looking elsewhere.
One final word of advice for the author – if you intend to continue this series, invest the money into a solid editor instead, and listen to his or her advice. Then use CreateSpace or Lulu to upload the book and sell it. You'll find that to be a much better use of your funds, and it may help you become a better author. Because if you intend this to be your chosen career, you'll really need more help.
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